1. |
ASMR
07:13
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2. |
One from a Rosebush
02:43
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I've never been a fan of corporal punishment
I don't believe in beating kids
But some of you grownups in your corporate offices
Would benefit from getting whipped
So go on, get me a switch
And you better not bitch
One from a rosebush oughta do
Because you been bad
Yes, you been bad
And you deserve a lash or two (or three, or four)
People are getting rich off other folks' suffering
Here in the land of the confidence man
Pill pushers, politicians, and insurance executives
If you got trouble, they got a plan
So go on, get me a switch
And you better not bitch
One from a rosebush oughta do
Because you been bad
Yes, you been bad
And you deserve a lash or two
Go on, get me a stick
It better be heavy and thick
A two-by-four would do quite well
Because you been bad
Yes, you been bad
And you got a special place in hell
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3. |
Beans
03:42
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You got dreams up in your skull
You got love, and honey, that ain’t all
You got faith, but you ain’t even tryin’
Put some beans in your bottom line
Put some beans in your bottom line, line, line
Put your heels kickin’ in time, time, time
Put a little sugar in your tea
Put some beans in your bottom line
Now, now, baby, don’t you get cross
You know some people, well, they can get lost
Don’t let ‘em bother your mind
You oughta put some beans in your bottom line
Put some beans in your bottom line, line, line
Put your heels kickin’ in time, time, time
Put a little sugar in your tea
Put some beans in your bottom line
Now you may come to me and ask
What do I mean when I offer you this task
Don’t you think, ha, that it’ll be fine
If you put some beans in your bottom line
Put some beans in your bottom line, line, line
Put your heels kickin’ in time, time, time
Put a little sugar in your tea
Put some beans in your bottom line
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Miles Gannett Baltimore, Maryland
Miles Gannett doesn’t sit still creatively. The Louisiana native, who now calls Maryland home, hears the seamless character of all music, blending and balancing strains of bluegrass with psychedelic folk textures, classic country phrasing with the propulsive notes of acid rock, and earthy blues with spectral ambience. ... more
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